Paul sings "Well, if you're ready" on a rock'n'roll tune reminiscing "High School Confidential" (by Jerry Lee Lewis). Stand By Me (King/Leiber/Stoller/Jones/Glick) Sausages And French Fries (Lennon/McCartney)ġ8. fret nine -b(9)8- play fret eight already bent to the pitch of fret nine. She Came In Through The Bathroom Window (Lennon/McCartney) Alan Aldrigde, The Beatles Illustrated Lyrics John Lennon, Paul McCartney. pitch and rhythm common-practice-period tonality, harmony, and form and. Drum players (acoustic) Electric guitar player. And, as with the art music canon, let us present the. Cover-groups using backing tracks as background scaffold for concerts.
Wake Up In The Morning (Lennon/McCartney)ġ6. The represented backing track of Pop song Let It Be by group The Beatles might be an asset to: Singers working in cover-groups. Maxwell's Silver Hammer (Lennon/McCartney)ġ5. The sound of the voices is constantly changing from low to high pitch as he sings the verses, which shows at the beginning of recording he elaborates the notes. I especially like the runthrough of "Across the Universe" with heavi!er drums and guitar and harmony vocals by Paul.ĭanny Boy (Traditional adapted by Weatherly)ġ2. Although its apparant that these tracks were recorded by the film crew, and NOT from the soundboard, it still a worthwhile collection. The remaining 11 tracks consist of more songs the Beatles ran through at Twickenham studios for the film crew. Nevertheless, Let It Be was released in January 1970, after Abbey Road, and despite considerable differences of opinion on its 'greatness' at the time, it has become yet another canonical set of. The final version of "Get Back" also has Pauls line about getting arrested, allthough it seems a bit obvious that John "audition" line was edited in by the bootleggers from the original LP. As much as Paul's vocal is muddled, John's vocal is very clear."Dig a Pony" is cool because it includes the opening vocal by Paul, which Phil Spector edited out of the final mix.
Unfortunetly, the volume varies at times and Paul's vocals are a bit bassy.I believe the source tape is from the film crew and not from the soundboard (w/ G. The first 9 tracks cover the final rooftop concert (minus "God Saves the Queen").